south of the loop

Maybe All I Need is a Shot in the Arm

I haven’t blogged very much about music, except to tell y’all what I’m listening to and what festivals I’m attending. I don’t have much confidence in my ability to talk about music–I know just enough about it to be dangerous, just enough to pretend to know what I’m talking about. Despite that, I’ll confess to musical snobbery: I turn up my nose and cover my ears at anything Top 40. And don’t even talk to me about Dave Matthews Band.

Recently, I’ve had a couple really interesting conversations about music with a new coworker (we’ll call him John C.). He’s brought up some challenging musical questions and he inspired me to download Britney Spears’ “Toxic.” And that, at the very least, deserves some explanation.

I haven’t always been a music snob. In fact, I grew up listening to what my dad did: 80s country (think: Kathy Mattea’s “Eighteen Wheels and a Dozen Roses” and Patty Loveless’ “Timber (I’m Fallin ‘ In Love)”), the Kingston Trio, the oldies station. My dad used to quiz me while we’d listen to radio, prompting me to name the singer or group and the year each song had been released. I got pretty good at it, too, but as a result, the popular music of the 80s rocked and synthesized on without me (with a few notable exceptions, namely The Bangles’ “Walk Like an Egyptian”).

The Year I Became A Music Snob was the year I lived in Oxford, the year that changed my life in a hundred other little ways. By some cosmic grace or chance, I had a lucky stroke of foresight–remarkable, even–for a barely-20-year-old. I knew I had the luxury of a single year to live 4000 miles away from everything familiar and comfortable. It was all mine. If ever a circumstance demanded open-mindedness, this was it, the time to pry open my white-knuckled fists and fall into whatever experiences awaited me. My preconceptions muddying this sliver of foresight were simple, and laughably narrow; I thought cultural and intellectual knowledge would be my pots of gold. My little stroke of foresight suggested only the broadest categories and failed to forecast the minutiae. Like music.

But God is in the details, and the minutiae is as important as the last drop of melting ice cream. You just can’t let it slip away.

One of my Oxford housemates, Tim, played blues guitar with twice the conviction of any school assignment he did, strumming and wailing and bobbing his head until four in the morning. Another housemate, Brendan, bought a stereo immediately upon arriving in England and spent more money at The Polar Bear (the used CD store on Cowley Road) than he did on groceries.

I let go. I listened. I think it was the keyboards in Wilco’s “A Shot in the Arm” (off Summerteeth) that really did it. As soon as Brendan hit “play,” the bouncing chords got under my skin and my fingers itched for a piano. “You finally slept / while the sun caught fire / You’ve changed.” Something in my veins, yes, yes, and bloodier than blood, catchier, more interesting, more provocative, than the two hundred CDs I’d armed myself with for my year abroad.

And so I traded in my insipid pop country tunes for Belle & Sebastian, Pulp, Wilco, and the low wail of Tim’s guitar two floors beneath my bedroom.

. . . to be continued with my possible re-conversion to pop music (possible, I said, not probable), but in the meantime, read John C.’s post about the return of pop music into his life to understand the forces that convinced me to pay $0.99 for a Britney Spears song . . .

* * *

current book: Sandra Cisneros’ The House on Mango Street

current music: All Calexico, all the time. I’m nervous that I’ll overdose on it, but nothing else sounds good to me right now. Except that I listened to “A Shot in the Arm” while I was finishing this post, and it sounds pretty good. Always does.

current socks: gray with brightly colored butterflies.

So Good It Deserves Its Own Post

The one t-shirt worth noting from Lollapalooza:

SHIT. I THOUGHT THIS WAS LILITH FAIR.

Lollapalooza’d

My strategy for most of Lollapalooza was simply to see as many bands as possible; I don’t get out to shows that often anymore, so this seemed a good opportunity to filter out what might be worthwhile seeing in the future. Like, say, at Austin City Limits Festival next month. That meant cutting a lot of shows short in order to walk the 3/4 mile across Grant Park to see another band. Over the course of the last three days, I saw at least part of the following sets:

  • Mates of State (yes, two people really can make that much sound, and yes, they really are that cute together)
  • Iron & Wine
  • The Raconteurs
  • My Morning Jacket
  • Sleater-Kinney (second-to-last show ever!)
  • Death Cab for Cutie (sadly, very boring)
  • Feist
  • Built to Spill (meh. never really liked them much.)
  • Calexico (who, as far as I’m concerned, stole the festival; they were all very comfortable on stage, but nobody was trying to be a rock star. They played a selection of their infectious, mariachi-tinged rock, bringing an accordion out for a few songs. The whole crowd was just happy afterwards.)
  • Sonic Youth
  • Gnarls Barkley (I don’t understand all the hype, but “Crazy” was covered live by both Kanye West and The Raconteurs)
  • The Dresden Dolls (great voice, terrible music, goth-clown fans)
  • The Flaming Lips (featuring dancing Santas and purple and silver space stewardesses)
  • Thievery Corporation
  • Manu Chao (between Thievery Corporation and Manu Chao, an important stereotype was confirmed: white people can’t dance)
  • The New Pornographers (sans Neko; what fun is that?)
  • Kanye West
  • The Shins (would have been great if the sound hadn’t been completely fucked up)
  • Of Montreal
  • Wilco

I’ll spare you the full reviews because I’m sure you can find better ones if you spend five seconds on Google. It was fun, exhausting, and worth every penny of my hard-borrowed $120. There were a handful of other bands I wanted to see, but I just couldn’t do the full 10 hour days. I’m looking forward to catching two of the missed bands, Stars and Nada Surf, at ACL. And hopefully The Shins will have better sound there, although I’m a bit concerned about how I’ll see the full Shins show and the full Calexico show (they’re back-to-back on separate stages). Also looking forward to Kings of Leon, Cat Power, Son Volt, Kasey Chambers, The Stills, KT Tunstall, Willie Nelson, Massive Attack…

* * *

current book: got back into Dybek today. It feels like it’s been weeks since I’ve read.

current music: Calexico! Their new album, Garden Ruin, is pretty good, with a couple of outstanding singles. I also listened to a few of their older, more mariachi-influenced albums, which range from atmospheric to party-on-the-border. I’ve always enjoyed their music, but after seeing them live, I might have a full-fledged crush on them. I mean, if Neko Case isn’t going to show up, somebody’s gotta get my lovin’.

current socks: Thanks to super-sturdy (and super-expensive) band-aids, I managed to get through the entire weekend without developing any more blisters. My current wounds seem to be healing, so I am no longer wearing so many band-aids that I look like I have socks on. Won’t you be happy when winter hits and you can actually read about socks instead of gruesome descriptions of my feet?

Awash In A Sea of Indie Tees

Brendan and I kept a list of all the ironic tees we saw at Pitchfork last weekend. This list excludes (for the most part) thrift store finds that were merely worn ironically (my favorite: a sunset with the word “serenity,” all rendered in classic 80s style) as well as the numerous band t-shirts (the general rule of thumb seemed to be “the more obscure, the more better”).

We planned to do the same for Lollapalooza this past weekend, but the crowd was far more mainstream (I spotted exactly two Dave Matthews Band t-shirts and a handful of Hollister tees), and given the thousands and thousands and thousands of people, the payoff wasn’t very good. Just too much work for mildly-clever t-shirts. Brendan made the excellent point that any sort of list-making should occur naturally out of whatever presented itself; I suggested “most unlikely person listening to a given band,” but I think I trumped all possibilities when I saw the group of frat boys dancing to Mates of State on Friday afternoon.

So the list that follows is Pitchfork only. Anything in parenthesis was actually on the t-shirt in parenthesis or as a subtitle of sorts. The bracketed comments are my own. For your reading pleasure, ladies and gentleman: the good, the bad, the inexplicable.

  • spokes man for jesus [with picture of bike]
  • reading is sexy
  • achiever
  • you have died of dysentery [with picture of oregon trail covered wagon]
  • i support homo marriage
  • strictly for my ninjas
  • gang of four..$45, the pixies…$60, robert pollard…priceless
  • who the fuck is mick jagger?
  • cuckoo for cocoa puffs
  • it’s my f*cking birthday
  • famous movie quote
  • ithaca is gorges
  • third eye blind [we hope this one was ironic]
  • indier than thou
  • gin and jews
  • love me, love my alcoholic rages
  • librarians have tighter buns
  • f’n ho
  • hamster man
  • hernia movers inc.
  • justin says let’s rock
  • just another sexy bald guy
  • we be illin’ (sacred heart children’s hospital)
  • i ♥ to fart [on the butt of granny panties worn with a black bikini top]
  • a wizard has turned you into a whale. is this awesome? y/n
  • vote for jesus
  • flying nun 333
  • [requisite threadless.com t-shirt]
  • sex, drugs, & christian rock
  • wittgen
    stein
  • windows ‘95 is like mac ‘87
  • this is me (smiling in a black t-shirt)
  • j dilla changed my life
  • i ♥ lesbians [worn by a man]
  • ike turner
  • junior private dectective
  • arm wrestling championship – yeti vs. jesus – time to knuckle the fuck up
  • oh-so-HI-o
  • defend brooklyn
  • new kids ON TOUR the block [also hopefully ironic]
  • please sell us some pot [actually a piece of paper pinned to a t-shirt]
  • [requisite The Smiths t-shirt]
  • computers are fun and useful
  • meat, the press [with a picture of andy mooney]
  • die naked
  • give me your tots [with a picture of tater tots]
  • i’m on crack. how are you?
  • put down the drugs and come get a hug
  • 40 is sporty
  • expose yourself to mathematics [with a drawing of a man flashing]
  • hooked on oriental drugs
  • soy be it
  • raise your level of communication
  • chemists react faster
  • modern art makes me want to rock out (art brut)
  • sex, drugs, and dungeons & dragons
  • fighting cancer, now that’s a job
  • connect with music
  • hartford can get it up again
  • corporate radio sucks
  • 7.9 recommended
  • crazy glue it!
  • wrigley field: home of the world’s largest gay bar
  • have a golden day!
  • “gasp!”

spotted by other astute pitchforkers:

7.9 Recommended

Pitchfork Music Festival

Pitchfork Music Festival tickets … $30

16 liters of water … $22

Thousands of ironic hipster t-shirts … priceless.

* * *

I’m not sure I’m up to the task of a full-fledged Pitchfork Music Festival review, especially with Lollapalooza a mere 72 hours ahead. The last few days have been particularly exhausting, so I have only a few notes for now; Brendan has pledged to contribute toward a review, so hopefully these pages will soon feature a guest blogger with more thoughtful and exciting commentary than what I can provide right now.

Pitchfork was exactly what I had hoped for: cheap and relaxed with lots of good tunes. The park was set up with two large stages that were relatively close to each other; the festival alternated between the stages with only no more than 10 or 15 minutes between sets. Getting from one set to the next was no more taxing than pointing our feet (or in Brendan’s case, his checkerboard slip-ons) in a different direction. I didn’t love all the music I heard, but I discovered enough new bands to keep me happy for awhile: Art Brut, The Futureheads, Silver Jews, CSS, Ted Leo and the Pharmacists, Os Mutantes. Silver Jews performed the last set on Saturday evening, and poet-turned-musician David Berman proved himself as funny as he is tortured: “This is probably the most musically-educated crowd I’ve ever played to. A lot of you have bands, and in a few years, you’re gonna take ‘em to the road. And when you do? Leave the Brian Wilson at home.” Not a Beach Boys fan, it seems.

Spoon delivered the penultimate set of the weekend, a fantastic and tight hour of music with nary a wasted note. And only Os Mutantes could follow: a little rough around the edges, but as one of them said, “it’s been 30 years!” The Reader aptly describes Os Mutantes as “the rock n’ roll arm of tropicalia… at their best they transcended genres.” And how! They had a blast on stage, shaking tambourines, dancing, throwing together psychedelia, samba, and rock n’ roll. The arrangements were in some places so tangled and complicated I wondered if they could come out of it, but unlike Silver Jews, they didn’t stay trapped in the song.

The best non-musical part of the weekend was finding ourselves at the pearly gates of hipster heaven. Aside from the requisite The Smiths t-shirts and nods to ’80s fashion (if I had pulled out my old gym shorts, I would have fit right in), we were awash in a sea of ironic tees. From the thrift store finds (“Help prevent Gringo food!” advertising a Mexican restaurant) to the hand-made, the park was saturated. Brendan and I made a list of nearly 70; we had originally planned to cull them into a Top 25 list, but I think the list itself is so impressive that it must be reproduced in its entirety. Stay tuned.

Here’s a t-shirt teaser for you; this guy summed it up with a handmade number that recalls Pitchfork’s rating system:

7.9 Recommended

Well put.

* * *

current book: Stuart Dybek’s I Sailed With Magellan. The writing is lovely, almost too lovely. The descriptions are so rich and beautiful that it interrupts the narrative pace.

current music: CSS’ “Let’s Make Love and Listen to Death from Above.” CSS, a wildly energetic Brazilian dance-punk-pop outfit, turned out to be the sleeper hit of the whole festival.

current socks: No way. It’s hot as balls outside (read: like Texas in late Spring).

Pre-Pitchfork Madness

me: I’m a little worried about the heat. We’re going to have be sure to drink lots of water.

Brendan: Oh, it’ll be fine. It’s indie rock. We’ll just be staring at our feet.

Stephen Who?

Pitchfork Music Festival begins on Saturday! My friend Brendan arrives in the Windy City tomorrow night, hopefully well-hydrated and carrying extra sunscreen. Because Pitchfork does not allow for reentry. I find this appalling, and also somewhat overwhelming: two long music-packed days in Union Park with no place to go but the Port-a-Potty.

Although Brendan has assured me that my messy apartment will make him feel right at home, I still feel compelled to clear a path to his bed before I crash tonight. And so you’ll have to turn to the Chicagoist for a summary of what awaits me on Saturday and Sunday (and for arguably the best hipster t-shirt ever). There are actually very few bands I know well; strangely, this makes it exciting. Everybody is treating this like the sleeper hit of the summer, so my expectations are high but unspecific. Who knows what I’ll discover… (hopefully not the stench of a buncha fuckin’ hippies).

* * *

current book: just finished the first story in I Sailed with Magellan. Loved it. Very Billy Lombardo-esque, or, rather, Lombardo is very Dybek-esque.

current music: today required the familiar comfort and upbeat twang of the Old 97’s.

current socks: I am wearing so many bandaids that it looks like I’m wearing socks.

Lousy Wednesday

Got to the Metra station this morning just as the train doors were opening–I ran through the masses of people that were pouring out and got to the doors just as they were closing. I banged on the window, but the conductor was just turning away. Waited–in the rain and the thunder and the lightning–for fifteen minutes for the next train to come. Realized I had forgotten my lunch on the kitchen counter.

When I got on the train, I opened my book. The next chapter was called “Lousy Wednesday” and began like this:

Some days are born ugly. From the very first light they are no damn good whatever the weather, and everybody knows it. No one knows what causes this, but on such a day people resist getting out of bed and set their heels against the day. When they are finally forced out by hunger or job they find that the day is just as lousy as they knew it would be.

On such a day it is impossible to make a good cup of coffee, shoestrings break, cups leap from the shelf by themselves and on the floor, children ordinarily honest tell lies, and children ordinarily good unscrew the taop handles of the gas range and lose the screws and have to be spanked. This is the day the cat chooses to have kittens and housebroken dogs wet on the parlor rug.

Oh, it’s awful on such a day! The postman brings overdue bills. If it’s a sunny day it is too damn sunny, and if it is dark who can stand it?

* * *

I just had four–or maybe five?–Miller High Lifes, so I’m not feeling especially articulate right now. But I did find out that this led to 800 hits on the Canasta website today. I’m “Dawntread from the University of Chicago.” (Dawntread is the username under which I made the comment recommending Canasta. Please do not judge me for it.)

Goodnight.

She May Ride Forever ‘Neath The Streets Of Chicago

Even though I am a child of the 80s, I never saw the music video for “Thriller” or understood the gravitational pull of Tiffany or Cyndi Lauper. Instead, I grew up listening to, amongst a lot of oldies and 80s country, The Kingston Trio. My dad listens to them the way I listen to The Smiths, say, or Wilco: loudly and on repeat. One of his all-time favorites was (and is) the catchy “MTA Song.” It tells the now-infamous story of poor old Charlie who can’t get off the T (the subway) because he doesn’t have a nickel for the exit fare. The chorus, which I’ve already song-bombed myself with just by writing these few sentences, recounts poor Charlie’s fate: “And did he ever return? / no, he never returned / and his fate is still unlearned (poor old Charlie) / he may ride forever / ‘neath the streets of Boston / he’s the man who never returned.”

The “MTA Song” was at least as significant to my childhood as the Dolly Parton/Kenny Rogers duet “Islands in the Streams” or Juice Newton’s “Angel of the Morning,” both of which I used to sing while standing on the fireplace hearth, belting them out like I was on Broadway. When my dad pulled out his Kingston Trio albums, my mom rolled her eyes, and we’d both suffer quietly while my dad readjusted the record needle for the umpteenth time. (He listened to them on record until we got a CD player in the late 80s, and of course he re-purchased all the Kingston Trio CDs available. He has since copied all his records onto CDs as well. There’s really no question where I get my musical obsessions from.) Over and over we’d hear about how Charlie’s wife handed him a sandwich (but never a nickel) everyday at quarter past two, and if we were really lucky my dad would tell us the story about how he met the Trio on an airplane one time.

I was Charlie on Saturday.

I set out for O’Hare around 1:30pm. My friend Julia, who I hardly ever get to see, was in Chicago on her way to Israel, where she’ll be participating in a mission trip with 30 strangers (you can read about her adventures here). Her flight arrived at 2:45, and I was planning to meet her at baggage claim. My plan of action, which I determined after carefully studying several online CTA maps: take the 6 bus downtown, walk to the blue line, and take the blue line to O’Hare. The 6 runs every few minutes, and this route bypasses the grittier neighborhoods west of me. I figured it would take 1 1/2 to 2 hours, so I brought The Places in Between, which I was nearly done with, and a second book to get started on. I walked to the 6 bus stop and waited. After about 15 minutes, two buses came in quick succession: the 28 and the 15. The next bus… another 28. I have mostly learned to suppress travel-rage during my 10 months in Chicago: buses sometimes run when they feel like it, and the El train going in the opposite direction of your destination always comes first. But that Saturday the sun was hot, the bus stop was unsheltered, and I only wanted to make the most of the few hours with Julia that I would have. The only thing I could do was to step off the curb and squint down Stony Island Avenue, trying to make out the outlines of a bus against the glare of sunlight. I did this over and over, hoping not just for a bus, but one that displayed but a single digit on its marquee, hoping that my repetitive curb-dance would somehow procure my salvation from sweat and sun and tardiness. I felt perhaps the creator of the “accept the things I cannot change” prayer had been inspired by public transportation.

Thirty minutes later, the 6 pulled up, and I climbed aboard with the others who had been waiting wearily at my stop. Our sweaty hands slipped on the guardrails as we fumbled for our passes. I imagined the bus was smug and glib, holding our travel itineraries hostage, smirking because it could make us late and there wasn’t a damn thing we could do about it. Too many bodies were packed inside its long metal frame: we obviously hadn’t been the only people kept waiting. I was lucky to get a patch of standing room in the little cutout by the back door of the bus. Sweat ran down my back, but at least I wasn’t pressed up against strangers in every direction. The rails I clung to were near an air vent, and I wanted to press my whole body against the cold, thin metal.

The bus rolled through Hyde Park, always more people getting on than getting off. At some stops there were over a dozen people waiting, as sweaty and frustrated as I had been. They all looked inside our bus in disbelief, weighing the risk of waiting for the next bus to arrive. Most of them got on anyway.

At 2:45, the same time Julia’s flight was landing, I reached downtown. I walked to the blue line, frustrated but resigned to being late. Very late. I knew what motel Julia was staying at, and I knew I’d have to bypass baggage claim, our original meeting place, and go straight to the Super 8. The train heading to Forest Park–away from O’Hare–arrived first. I reprised my curb-dance, leaning over the tracks, hoping to see train headlights approaching. A guy next to me kept watching me lean over, pace, and lean over again. He knew it wouldn’t make the train show up any faster.

On the blue line, I pulled out my book, grateful to be sitting down at last. We rumbled north and west of the city. Somewhere past Logan Square, the train stopped. We were above ground in a dirty, deserted place that hardly seemed like Chicago. I went back to my book. The conductor’s voice crackled through the PA system: “There’s a mechanical defect on the track ahead, uh, sorry for the inconvenience and, um, we’ll get moving as soon as we can.” Fifteen minutes later, after a second announcement, the woman in the seat next to me turned and said, “At least you gotta book. I got nuthin.” The El was silent except for the groans of its passengers. Even the lights and air conditioning had gone out, and the absent hum made our groans echo off the metal walls.

I called Julia’s hotel and got ahold of her, explaining the situation. “Here’s the thing,” she said. “I’ve got a meeting at 5.” I knew she did. It was already 3:45pm. But could I really turn around after all this time?

I couldn’t, of course. I finished my first book and pulled out the second, a book of short stories. Halfway into the first story, the air conditioning snapped on. We were moving. At O’Hare, I found the magical “Door 2″ Julia had told me to find. Through its sliding glass doors was a beige minivan on its way to the Super 8 Motel.

I hopped in, noticing the sign taped to the back passenger window that said, “TOTAL DRIVING TIME 7-10 MINS (5 STOPLIGHTS).” Seven to ten minutes. It was 4:43. I gritted my teeth. The driver slipped into his seat, closed his door, and opened his mouth. “You stayin’ at the Super 8? Yeah, well, it’ll just be a few minutes. We gotta go by door 5, then we’ll swing back to door 2. They’re gettin’ cheap on gas, ya know, so I gotta pack it tight. I was up by the Wisconsin border this morning, for my other job, you know, and gas up there? It’s maybe $2.80, $2.90. They tell me to go cross the border just to get the cheap gas.” His monologue would continue on the way back. “I’m Jewish, you know, but haven’t been to temple since somebody got married or died. But I dated a Jehovah’s Witness once, I only lasted six months with her! It was all I could take. And then after we broke up, I found out she was married! Can you believe it? And she blamed me for being kicked out of her church!”

4:54. The Super 8 sign had never been so welcome to me before. I tripped out of the van and ran inside.

4:56. The front desk gave me Julia’s room number. Up I went to 240, running down the black and gray carpet.

* * *

I don’t know if Cyndi Lauper or Tiffany knew how I felt, but the Kingston Trio sure did. I wasn’t sure I could make the trip back to the South Side. I thought I might never return. I thought I might get stuck inside the amber-lit labyrinth beneath Chicago. Maybe I should avoid the streets-beneath-the-streets entirely. I mused out loud on the possibility of taking a shuttle back to Hyde Park. The Super 8 driver said, “Aw, no, don’t do that! Two dollars, you know, get on the blue line, cheapest way into the city! It’s the Jew in me. I’m cheap that way.”

Slow Down Chicago

Breaking news: I have now left Hyde Park two times in two days.

I just got back from the Canasta show at Schuba's in Lakeview, which was good, especially for a Monday night. Smoking is now banned in the music room at Schuba's, and they sell ear plugs at the door. I am officially old enough to greet both of these things with wild, unadulterated enthusiasm. I believe I said to the bouncer, "You sell earplugs?!?!? I'll take two packs!!!!" Emphasis on the exclamation points.

Canasta debuted two new songs, both ballads, one of which ended with a fun upbeat. They also did a beautiful and haunting cover of Peter Schilling's "Major Tom" (in English), and then maybe another six songs off their full-length album We Were Set Up, including "Slow Down Chicago:" "I'd like to ask this town to slow down / selfish I know / but I think it's come to this / I'm losing my breath and I'd take a break / If I thought I could."

* * *

On the thesis front: Advisor and I spent over two hours going over my thesis page by page, sentence by sentence, word by word. He found some funny quirks in my writing, such as a tendency to use "where" instead of "when" or "in which." Such as:

I finally visited the Hyde Park murals on one of those cold mornings where the stinging wind reminds you that Chicago is on a lake, the kind of morning where the precipitation is neither snow nor rain nor sleet, but some vicious, frozen mixture that bites mercilessly at your face.

Strange, no? I do this repeatedly throughout my thesis, and I'm not sure I would have caught it if he hadn't pointed it out to me. My work this week will focus on concluding this behemoth. That means tracking all of the unanswered questions throughout the existing thirty-three pages and figuring out where and how to answer them. Can art hurt you? Stay tuned to find out. And wish me luck.

* * *

current book: Foucault's reading of the painting Las Meninas from The Order of Things.
current music: Canasta! check out www.canastamusic.com and do yourself the favor of listening to "Major Tom." Seriously.
current socks: my concert-going socks: green with little records all over them.