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	<title>Comments on: An Odd Transaction</title>
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	<link>http://www.southoftheloop.com/2007/03/22/an-odd-transaction/</link>
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		<title>By: carolstreet</title>
		<link>http://www.southoftheloop.com/2007/03/22/an-odd-transaction/comment-page-1/#comment-191</link>
		<dc:creator>carolstreet</dc:creator>
		<pubDate>Fri, 23 Mar 2007 22:37:59 +0000</pubDate>
		<guid isPermaLink="false">http://southoftheloop.wordpress.com/2007/03/22/an-odd-transaction/#comment-191</guid>
		<description>oh, that&#039;s good.
i was just asked by someone today why i don&#039;t eat meat.  if only  i had read your blog earlier, i would have had a snappier comeback.
should we ask meat-eaters why they eat meat?</description>
		<content:encoded><![CDATA[<p>oh, that&#8217;s good.<br />
i was just asked by someone today why i don&#8217;t eat meat.  if only  i had read your blog earlier, i would have had a snappier comeback.<br />
should we ask meat-eaters why they eat meat?</p>
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		<title>By: John</title>
		<link>http://www.southoftheloop.com/2007/03/22/an-odd-transaction/comment-page-1/#comment-192</link>
		<dc:creator>John</dc:creator>
		<pubDate>Fri, 23 Mar 2007 18:02:08 +0000</pubDate>
		<guid isPermaLink="false">http://southoftheloop.wordpress.com/2007/03/22/an-odd-transaction/#comment-192</guid>
		<description>When a lengthy quote interrupts a narrative, it can be difficult to get through. For some reason, the first thing that came to mind is the poetry and other purported 19th C. documents in A.S. Byatt&#039;s &lt;I&gt;Possession&lt;/I&gt;. I wanted to say, &quot;Good job, Miss Byatt, you&#039;ve done a stunning recreation of Victorian literature, now can we get back to the plot?&quot;

But I like the idea of a book that&#039;s made up of a series of formal addresses, or Nicholson Baker&#039;s &lt;i&gt;Vox&lt;/i&gt; and &lt;i&gt;Checkpoint&lt;/i&gt;, which are nothing but conversation -- because there&#039;s no larger narrative frame that&#039;s tugging you back to it.</description>
		<content:encoded><![CDATA[<p>When a lengthy quote interrupts a narrative, it can be difficult to get through. For some reason, the first thing that came to mind is the poetry and other purported 19th C. documents in A.S. Byatt&#8217;s <i>Possession</i>. I wanted to say, &#8220;Good job, Miss Byatt, you&#8217;ve done a stunning recreation of Victorian literature, now can we get back to the plot?&#8221;</p>
<p>But I like the idea of a book that&#8217;s made up of a series of formal addresses, or Nicholson Baker&#8217;s <i>Vox</i> and <i>Checkpoint</i>, which are nothing but conversation &#8212; because there&#8217;s no larger narrative frame that&#8217;s tugging you back to it.</p>
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